BOOKING OFFERS: VLADISLAV DELAY + SNEERS

 Dear all, I am booking some dates for VLADISLAV DELAY and SNEERS. VLADISLAV DELAY (Finland) http://www.youtube.com/watch?v=rWxQuubGTV0 http://www.youtube.com/watch?v=d5ZjY4M6Tvw Availability: On request. Territory: Belgium SEERS (Germany) https://luna.agora.eu.org/mail/src/webmail.php Availability: from late February till mid March 2014 Territory: Europe VLADISLAV DELAY Vladislav Delay is one of the pseudonyms of Sasu Ripatti (born 1976), a Finnish electronic musician. He has also recorded as Luomo, Sistol, Uusitalo and Conoco. Sasu has been involved in the ambient music, glitch, house, and techno genres. His method of track production involves a mixture of synthesizing, vocal recording and live reprocessing. Many tracks have an organic feeling that pervades through rolling, dubby basslines and vocal snippets. His partner is Antye Greie, with whom he has collaborated. Their daughter was born in 2006. Sasu has released EPs and albums on labels such as Raster-Noton, Force Tracks, Chain Reaction, Mille Plateaux, Resopal, and Sigma Editions. He also founded the Finnish music label Huume Recordings. From 2009 onwards Ripatti has been performing drums and percussion in the Moritz von Oswald Trio alongside Moritz von Oswald and Max Loderbauer. With the Moritz von Oswald Trio he has released two albums and a live LP. He has also released an album in 2011 with his own experimental jazz/electronic group, the Vladislav Delay Quartet. He was chosen by Animal Collective to perform at the All Tomorrow’s Parties festival that they curated in May 2011.[1] Musical style Ripatti’s music is renowned for its sophisticated textural qualities. His sonic approach relies heavily on a semi-random element, and many undulating, complementary and sometimes conflicting layers interplay throughout most of his music. A de-constructive element is sometimes detected within the music as Ripatti makes comment on established genres within his various releases. Characteristic traits within Ripatti’s music are sometimes a deep or bubbling synth-bass line, fractured and syncopated percussion – often placed freely within the music, long delay repetitions of various sounds, syncopated use of vocal samples, and complicated digital effect processing techniques. Generally, the music has a very spacious and organic sound, and albums such as « Anima » feature a very simple theme repeated with an array of musical and rhythmical interjections. Ripatti releases under different names have conceptually varied, but have sonically related qualities; this may be due to Ripatti’s different composition techniques. Uusitalo releases are often anchored by a house beat and highlight rhythmic variation (see 2007’s Karhunainen). Vladislav Delay releases, on the other hand (see 2000’s Multila), explore rhythmically sparse, experimental and ambient techno-dub soundscapes. Works under the Luomo name feature uncommonly wrought dance-floor ready vocal house. Sasu Ripatti often references himself within his music. The « Vapaa Muurari » album, for example, has an instrumental track (« Social Selection ») that was re-mixed or re-recorded as the track « The Right Wing » on the « Vocalcity » album. Similarly, the track « Tessio » on the « Vocalcity » album was re-recorded for the « Present Lover » album in 2003. I hope to hear from you asap. Enjoy your week end. Regards. Alain SEERS SNEERS. is an italian psychedelic-soul-uplifting noise project born in Berlin in 2011, whose gestation ripens and proliferates in several clubs of the city. After one year and a half, the duo move back to Italy to play several shows in many cities such as Rome, Florence, Bologna, Turin and Naples. The project is based on the pursuit of expression through experimental sounds (like a drum synth which modifies the snare’s waves, and a looped violin) and is composed of the guitar player and singer Maria Greta, and the drummer Leonardo Oreste, both of them coming from different music projects active in the previous years (respectively Ginny As Nuisance and Hazey Tapes). SNEERS. screen themselves through their bare sounds, that relate about a degrading crawling in the most recondite canals of human core, digging a ditch of dissonance, in which the notes are researched and repeated with sacredness and compulsiveness. The guitar devotionally groans, among noise instincts and melodies for souls, while drums stand out bleak and savage, with a cold and disarming repetitiveness. The voice, cutting and psychotic, emerges pointy, at times neurotic, at times monotonous to the limit of somnambulism. Lyrics are often unconscious dialogues (between the Man and some entity He is obsessively searching for), expiation prayers, and deconstructive criticisms. In the songs there’s not the indolent selection of a verse and a chorus, but the flow is continuous, with a sequence of variations that ravenous chase each other. As the most natural of attempts to show one’s fierceness amongst the crowd of selfish victims, a sneer is a sneaky and insane defence. They released a five tracks EP in 2012, and then they started their collaboration with Brigadisco Records, a well-known italian underground label, that is producing their first nine tracks LP, “ Zekarjāh”, supposed to be released in vinyls at the beginning of November 2013. ************************************** Some Noise C/O Alain Bolle PO BOX 43 1050 Brussels 5 Belgium info@somenoise.be https://debloque.wordpress.com http://www.lesateliersclaus.com

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