Dear all,

I’m booking some dates for:  SPACE LADY, JOANA SA, ERIC CORDIER, ILILL

Availability: 15th September
Territory/ Belgium – preférably in Lièfe

Availability: from 31st October backwards and from 11th November onwards
Territory/ Europe

Availability: From early Septemner till 10th October
Territory; Europe

ILILL (Belgium)
Availability: On request
Territory: Europe

Susan Dietrich, who performs as The Space Lady, is an outsider musician.
Singing and playing a Casiotone keyboard and other instruments, Dietrich streetcorners in the Boston and San Francisco areas. She now lives in Colorado and as of 2012, has revived her live career playing at the Riverwalk and on Union Street in Pueblo, CO, and at the UFO Museum and Research Center in Roswell, New Mexico.


SHH006 // JOANA SÁ // In Praise of Disorder

There is something of a skeptical respect between the arts; a respect for the work of another over matter one does not master. Composers tend to see and read the world as if they were listening. In Through This Looking Glass (2010), Joana Sá had us reading some of the texts that belong to her world of sounds and to a performance Daniel Costa Neves translated into images – texts and images that baptize the exploration of an enormous musical freedom . Always in search of the liberation, the energy and the surprise of a gesture in sound, In Praise of Disorder is more rigid in form, doing away with image and giving voice to texts by Gonçalo M. Tavares. The speech organizes the thoughts that filter the multiple, disorderly, eccentric, voluble mind. The music is the Praise of Disorder that goes on in our heads, fit to give us back (awkwardly, at times painfully) not only the multiplicity of ideas, images, sounds and even voids, but mostly their simultaneity. That is why Joana Sá, through techniques that once belonged solely to studio settings in concert, uses the recording to put th

As an improviser, he plays a singular instrument : hurdy-gurdy in connexion with
electronic processors. His way of playing hurdy-gurdy is only in free improvisation,
which doesn’t mean that he plays what is called “improvised music” but rather
free-rock and drone-folk. He is less an improviser than the member of several bands,
interested in long time collaboration in very specific ways :Enkidu (with Seiichi
Yamamoto (Boredoms) & Chie Mukai (Taj-Mahal Travellers)), Phéromone (with JL
Guionnet & Pascal Battus), Suture (with Seijiro Murayama), Tore (with JL Guionnet),

He has made 2 tours (2009-2011) with legendary guitarist  Keiji Haino
He has sometimes play with Andrew Sharpley, Tetuzi Akiyama, Yann Gourdon, ErikM,
Gilles Aubry, Antoine Chessex, Doravideo, Eric Brochard, Kazuhisa Uchihashi, Umeda,
Bertrand Gauget, Sharif Sehnaoui, Michel Vogel…
He has been invited in festivals Free Music (Antverpen), AVE (Mijmegen &
Maastricht), Laerm Struktur Festival (Stuttgart), NPAI (Parthenay), Densités
(Fresnes-en-Woevre), Fruits de (Mhere), Interstices (Caen); theatre TNT (Bordeaux),
Lieu Unique & Pannonica (Nantes), Aéronef & Crime (Lille), CCAM (Nancy), 102
(Grenoble), Instants Chavirés & New Morning in Paris…

duo formed in 2012 and based in brussels,
ilill plays a primitive but sophisticate music, in which simplicity is
associated to experience and radicalism. This approach, of a rather
basic rock instrumental combination has been described by the word
Postpunk. This could be found in the repetitive structure of the songs
as in the vocal expressiveness of Mariette Michaud.
Voice, guitar, bass tom, big synth, cymbals and fury.
Mariette Michaud is also experimental filmmaker and sings French songs
mainly from the 1930s repertoire in Demi-Brides.
Jean-Philippe Saulou has been seen and heard in / with u.n.d.o, Bülanz
Tendance King Kong or the Anti Rubber Brain Factory.

I hope to hear from you asap.


Alain …

Some Noise
C/O Alain Bolle
1050 Brussels 5


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