BOOKING OFFERS: ARRINGTON DE DIONYSO, GODFLESH, PERCEVALMUSIC, DENNIS YOUNG

I am booking some dates for: ARRINGTON DE DIONYSO, GODFLESH, PERCEVAL MUSIC, DENNIS YOUNG

ARRINGTON DE DIONYSO (Usa)

Availability: From 21st June 2015 onwards
Territory: Belgium

GODFLESH (UK)

Availability: 14th April
Territory: Europe

PERCEVALMUSIC (France)
http://hiero.eu/concert-de-percevalmusic-math-rock-nantes-stimultania-le-0703/
Availability: 8th March
Territory; Belgium

DENNIS YOUNG (USA) ex Liquid Liquid + RAY BALLY (USA)

Availability: Either end of June or in Semptember 2015

ARRINGTON DE DIONYSO
Arrington de Dionyso (b. January 4th 1975) makes trans-utopian world
music for a world that exists in fever dreams and hallucinations. Using
performance and visual art, he traverses the nameless territories held
between surrealist automatism, shamanic seance, and the folk imagery of
rock and roll. He clarified his eccentric brew of ecstatic lunacy and
prophetic madness during his 15 year tour-of-duty with Olympia’s Old
Time Relijun (1995-2009).
De Dionyso’s most recent project, Malaikat dan Singa, is a trance-punk
outfit featuring bass clarinet, guitars, multiple drummers and his
trademark wild vocals (multi-spectral harmonic throatsinging combined
with grunts, yelps, and barks) often sung in Indonesian. Malaikat dan
Singa translates as “Angels and Lions,” and de Dionyso’s lyrics (both
Indonesian and any other language he chooses to ply) fiercely combine
mythology and fantasy. As a band Malaikat dan Singa ultimately defies a
clean translation gaining power by crossing boundaries — both linguistic
and psychic.
Arrington tours constantly both with Malaikat dan Singa and as a
versatile solo artist. His visual art has been featured in exhibitions
in Italy, New York City, Washington DC and Portland, Oregon and
published in Yeti magazine, Prism Index and The Stranger. Arrington has
staged his 24-Hour Drawing Performance at a variety of gallery spaces
and other unusual spaces throughout the globe, in which he combines
musical performance and video screenings with a live drawing marathon.

GODFLESH
Godflesh are a British industrial metal band from Birmingham, England.
They were formed in 1988 by Justin Broadrick (guitar, vocals and
programming) and G.C. Green (bass) and disbanded in 2002. Godflesh’s
innovative music is widely regarded as a foundational influence on
industrial metal and post-metal.[1] Broadrick and Green reformed
Godflesh in 2010.

PERCEVALMUSIC
Side project of Tony Chauvin, guitar player of Chevreuil (the cult
guitar / drums duo that has initiated playing in the audience and
music spatialization via guitar quadraphony since 1998), with the
presence of Ti Yann Février, a saxophone player and drummer.
After two albums, _‘Vie scolaire’_ in 2005 and ‘Dormir
Sommeil’ in 2007, followed by _‘Axes’_ in 2009, a
show/installation in association with Laurent Chomette, also the
compositions of the music for ‘Comme en plein jour’(2008)
and _‘Qu’après en être revenue’_ (2010), two contemporary
choregraphies by Jean-Baptiste André, here’s in 2013_ ‘Recueil
du Mal’_, the new Percevalmusic album.
There, the composition method is still based on this quadraphonic
guitar surrounding the drums with the same eloquent depth and
intricate windings.
It carries the spectator into a music performance in-between acoustic
and electric, carefulness and brutality, stability and chaos.
Like some kind of anti-aristocratic, architectural and organic chamber
music, that, by mixing the power of rock and the precision of
classical tradition, would evoke a contemporary prog-rock band of the
70’s.

DENNIS YOUNG + RAY BALLY
Dennis Young was a member of the seminal minimalist-funk band Liquid
Liquid. Their club smash “Cavern,” propelled by Young’s percussion,
became the basis of Grandmaster Flash’s rap classic “White Lines (Don’t
Do It).”
Vocalist, songwriter, and guitarist, Ray Bally, trained with the
legendary jazz guitarist Bern Nix. Bally has also composed noted scores
for independent films.
Dennis Young and Ray Bally: Volume 1 is Denis and Ray’s new live in the
studio, no editing, no dubs, all improvisation—collaboration. So forget
about conventional song structures, what this album smacks of is
freedom, experimentation and a freshness that is sadly lacking in much
of today’s music.
Denis and Ray use plenty of effects and technique to display
‘progressive’ overtones all over the place. Producing just the right
combo of etherealness, excellent musicianship, and rocking out, to evade
the ‘totally weird’ tag. Seven boundless tracks pervade the album:
“Metallic Young”, “Planet of Vampires”, “Restless Hymn”, “SQ”, “Comrades
March”, “Church Bells” and “Endless You”.

Thank you for your attention and reading.

I hope to hear from you asap.

All the best.

Alain

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