BOOKING OFFERS: MAMANI KETA, MATILDE POLITI, JOY + DEATH ALLEY; DAVID TORN, ZANMARI BARE, JOZEF VAN WISSEM + GARCIA-HUIBERO, FLIPSIDE PARADOX

Dear all,

I am booking some dates for MAMANI KETA, MATILDE POLITI, JOY + DEATH ALLEY; DAVID TORN, ZANMARI BARE, JOZEF VAN WISSEM + GARCIA-HUIBERO, FLIPSIDE PARADOX

MAMANI KEITA (Mali)

Availability: On request
Territory: Europe

MATILDE POLITI (Italy)

Availability: On request
Territory: Europe

JOY (USA) + DEATH ALLEY (The Netherlnds)
https://www.youtube.com/watch?v=mXuqZmuOSYM (Joy)

Availability: 10th and 21st September
Territory: Belgium

DAVID TORN (USA)
http://www.davidtorn.net/
Availability: October 2015
Territory: Belgium

FLIPSIDE PARADOX (The Netherlands)

Availability: On request
Territory: Europe

ZANMARI MARE (Reunion Island)

Availability: 14th July
Territorry: Belgium

JOZEF VAN WISSEM + GARCIA-HUIBERO (The Netherlands/Chili)

Availability: Between 21st June and 5th July
Territory: Belgium

MAMANI KEITA
Assitan Keïta, popularly known as Mamani Keïta (Bamako, 20 October 1965) is a singer and musician from Mali.[1] « Mamani » literally means « grandmother ».
She was raised speaking Bambara, and was a backup singer for Salif Keïta.[2] She is best known in English speaking countries for her album with Marc Minelli, Electro Bamako. She is credited on four tracks of the soundtrack album of the French animated film Kirikou et les bêtes sauvages (2005).[3] Mamani Keita released her second album entitled Yéléma[4] in 2006 and Gagner l’Argent Français in 2011. Both albums were produced and composed by French multi-instrumentalist Nicolas Repac.

MATILDE POLITI
Matilde Politi is actually considered the most representative female delegate of Sicilian Folk music.
Her work in Sicilian Folk is aimed to recover traditional sounds and praxis, not to let them disappear from our “soundscape”, trying to regive birth to an expiring tradition. She creates new compositions, always linking Sicilian roots with Mediterranean ones, to map out the historical connections and influences, but mostly to draw in music the actual misture of cultures that is springing from the multi-ethnic Sicilian society.

JOY + DEATH ALLEY
Southern California psychedelic savages JOY have signed to Tee Pee Records! The sound of JOY has been described as « a spaced-out sonic groove-ride » and « outer reach freak out », but that hyperbole alone doesn’t do justice to the group’s measured mode of attack. JOY puts a premium on establishing both structure and dynamics, its kaleidoscopic flurry and full-throttle riffage is anchored by both subtle detail and surprising textural depth.
The sound of DEATH ALLEY has been described as “an unorthodox cross contamination of MC5, Captain Beyond, Blue Öyster Cult, Motörhead and Black Sabbath” and “Rock ‘N’ Roll played with metal finesse and a pitch black psychedelic soul

DAVID TORN
David Torn (born 26 May 1953) is an American composer, guitarist, and music producer. He is known for the organic blending/manipulation of electronic and acoustic instruments and performance techniques that have an atmospheric or textural quality and effect. He is particularly well known for his influence on the development of looping effects.

ZANMARI BARE
De son enfance, Zanmari Baré garde le souvenir précis du maloya qui déjà l’emporte. A quarante ans, aujourd’hui, ce maloya l’habite toujours, même s’il n’a toujours pas appris la musique. Car à l’adolescence, dans les années 80, Firmin Viry se grave dans les sillons de sa mémoire et Lo Rwa Kaf, l’homme musique, le fascine (ce sublime « maloyér », « rakontér » et « ralér d’pios »).
Puis c’est l’écho des tambours de l’Est de l’île de la Réunion avec Gramoune Lélé en figure de proue, ainsi que l’écoute en boucle d’Alain Peters et son « mangé pou lé kér ». C’est enfin avec « Gafourn », la première K7 de Danyel Waro, que Zanmari entrevoit la longue route à parcourir pour caresser du bout des doigts la fleur du maloya.

JOZEF VAN WISSEM + GARCIA-HUIBERO
is a non-narrative film experience in
sensations, in ethical confusion, and in physical and psychic
contusions, directed by DOMINGO GARCIA-HUIDOBRO of FÖLLAKZOID. Dutch
minimalist composer (and 2013 winner of the CANNES SOUNDTRACK AWARD
for his score of ONLY LOVERS LEFT ALIVE) JOZEF VAN WISSEM’s score
for the film consists of appropriated 12-string electric guitar drone,
black baroque lute mirror images, and minimal electronics.
GARCIA-HUIDOBRO is an aficionado of paranormal experiences. _PARTIR TO
LIVE_ sees him attempting to reconstruct the previous moments of what
could have been one of these episodes. High-tension cables, a forest,
an abandoned church, a barefoot woman; past, present and future become
confused, and in this dissolved reality, he is not sure to have found
what he was looking for.
Acclaimed composer/lutenist Jozef Van Wissem’ music is an incessantly touring musician. His intense live shows have taken him all over the world and he has performed at prestigious festivals like All Tomorrow’s Parties and Primavera Sound. Van Wissem studied lute in New York City with Pat O’Brien and he gives lectures on « The Liberation of the Lute ». He was commissioned by London’s National Gallery to compose a sound piece to Hans Holbein’s painting « The Ambassadors ». Van Wissem composed and performed lute and voice pieces for the Sims Medieval video game


Some Noise / Alain Bolle
PO BOX 43
1050 Brussels 5 (Wery)
Belgium

https://debloque.wordpress.com/
https://www.facebook.com/alain.bolle.35

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