Booking offers (week 8)

Dear all,

I am booking some dates for: COCAINE PISS, PRINZHORN DANCE SCHOOL, LE VOLUME COURBE, JAMES CHANCE AND THE CONTORTIONS, SIMO LAGNAWI, SETH FAERGOLGIA’s MULTIBIRD

PRINZHORN DANCE SCHOOL (UK)
https://www.youtube.com/watch?v=8luJ3OV_PN8
http://www.albumoftheyear.org/l/2875-listen-prinzhorn-dance-school-reign/
http://www.prinzhorn-dance-school.com/prinzhorn/video/
Availability: Autumn 2016
Territory: Europe

COCAINE PISS (Belgium)
https://www.youtube.com/watch?v=rwFlZLpvkVI
https://www.youtube.com/watch?v=Sx6yf_GHucA
Availability: Autumn 2016
Territory: To be confirmed

LE VOLUME COURBE (France)
https://www.youtube.com/watch?v=tU3byx7hVi8
https://www.youtube.com/watch?v=xyjve2J4bZo
Availability: June + autumn 2016
Territory: Europe

JAMES CHANCE AND THE CONTORTIONS (USA)
https://www.youtube.com/watch?v=J0Y8k9pEzcM
Availability: Between 5th and 8th May
Territory: Belgium

SIMO LAGNAWI (Marocco)
https://electricjalaba.bandcamp.com
Availability: June + Autumn 2016
Territory: Europe

SETH FAERGOLGIA’s MULTIBIRD (USA)
http://ironmanrecords.net/2016/02/multibird-is-the-brand-new-project-by-seth-faergolzia-of-dufus/
https://faergolzia.com/
Availability: from 1st July backwards + between 14th and 20th July.
Territory: Belgium, holland, germany, Austria, Switzerland, France, UK!

JAMES CHANCE AND THE CONTORTIONS
A key figure in No Wave, Chance has been playing a combination of improvisational jazz-like music and punk in the New York music scene since the late 1970s, in such bands as Teenage Jesus and the Jerks, James Chance and the Contortions, James White and the Blacks, The Flaming Demonics, James Chance & the Sardonic Symphonics, James Chance and Terminal City, and James Chance and Les Contortions. His music can be described as combining the freeform playing of Ornette Coleman with the solid funk rhythm of James Brown, though filtered through a punk rock lens.

COCAINE PISS
Cocaine Piss hails from Liège, Belgium. This female fronted punk band is the best thing the city has delivered since Hiatus. Simple, fast, effective, aggressive yet loving. Their style is like being asked out on a speed-date in the middle of a highway with 20 minutes to bust out your quickest dance moves.

LE VOLUME COURBE
French-born Charlotte moved to London in 1995 after growing up in a small town in Pays de la Loire. She had a brief spell in a band there, but found that in London, “music is just so much more a part of the culture,
unselfconsciously. Here, music comes to you. ” In ‘97, two years after she arrived, she recorded a duet with Simon Raymonde (a single, “In My Place” – a Robert Mitchum cover).
ettling in England, Charlotte began composing and making tracks, receiving vital encouragement from musicians like Hope Sandoval, Kevin Shields, David Roback and Colm O’Ciosoig, all of whom contributed to her debut album.

PRINZHORN DANCE SCHOOL
and Suzi Horn. They work from a disused church in the UK where they make all of their music and visual art. Their debut album came out on the new york label dfa records, released in the UK by EMI. It prompted the british guardian newspaper to describe them as “the least commercially viable group ever signed to a major label.”
Prinz and horn do make music that is sparse, original, uncompromising and idiosyncratic. But never for the sake of it.

SIMO LAGNAWI
oundary pushing young Gnawa Master Simo lagnawi has been tearing up the London ‘World music’ scene, bringing Gnawa fusion to new heights. Weaving the ancient African musical form with Jazz, Electronic, Blues, Folk, Funk, Samba, African drums, music from India, Japan, South America,
Simo learnt from many great Gnawa Masters in Morocco over the last 23 years. He perfected the Guembri, hundreds of traditional songs, percussion, and dance, to become a well respected Maalem (master) of Gnawa, and expert on his genre.
Simo has the gift to be able to invoke trance, and cleanse the spirits of others with Sacred Gnawa music.

SETH FAERGOLGIA
Multibird is the brand new project by Seth Faergolzia. Seth is well known for subtly harmonic, experimental lyricism, dynamic song structures, and whip-crack-acrobatic vocals. Celebrated as a vibrant example of what happens when a musician turns a genre like folk upside down and inside out, over time Faergolzia has come to represent something of a genre unto himself oft times nowhere near the folk aesthetic.


Alain Bolle / Some Noise
84, Rue des Pâquerettes
1030 Brussels
Belgium

https://debloque.wordpress.com/
https://www.facebook.com/alain.bolle.35

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