BOOKING OFFERS

Booking offers (2021 #41)Dear all,Please find here under some bands/musicians who will be soon touring.I am booking dates for them.Feel free to get back to me iof you want to set up a concert/performance for one of them.INFINITE LIVEZ (UK)https://infinitelivez.bandcamp.com/Availability: On request Territory: EuropeInfinite Livez (born 1972 in Bethnal Green, East London) is an MC and musician who studied at Chelsea Art College. His wide range of influences comes from such diverse sources as P-Funk, Surrealism and continental philosophy. His first album Bush Meat was released on Big Dada Records in 2004 to immediate critical acclaim in the UK and abroad. 2007 saw the release of his second album Art Brut fe de Yoot, also on Big Dada, and a collaborative project with the Swiss electro-jazz outfit, Stade. Recorded over a series of improvised sessions, it has been recognized as a unique achievement in both experimental hip-hop and wacky humor. The follow-up album to Art Brut fe de Yoot, entitled Morgan Freeman’s Psychedelic Semen, was released in 2008. At the beginning of 2009, the live album Live at La Guinguette, again recorded with Stade and guest vocalist Joy Frempong, came out of a residency in Geneva. Infinite Livez has performed in the UK and all over Europe, including events such as Montreux Jazz, the North Sea Jazz Festival and The Sonar Festival. Besides Stade and Joy Frempong, Infinite has worked with a wide range of other producers and musicians including David Murray, Jahcoozi, Nils Petter Molvar, Elliott Sharp and Kid Acne. He has supported artists such as Kool Keith, Anti Pop Consortium, MF Doom and Mulatu Astatke. As a visual artist, Infinite Livez has also worked on a variety of other projects, like making comic books, animations, prints and illustrations (for magazines such as Hip Hop Connection and The Wire). In July 2009, Infinite had his first solo exhibition, Salvador Dali Was Half Bengali at Pebbledash Gallery in London where he presented a series of madly surrealist silkscreens referencing the aesthetics of old-school comics, Japanese woodcuts and Hans Bellmer. In September 2009, he took part in the group show 7 Styles for 7 Brothers at Archipelago Art, Sheffield. Recently, Infinite launched Glorious Mono, his own weekly 1 hour radio show on Herbstradio 99.1 FM in Berlin.ROXANE METAYER (France)https://roxanemetayer.bandcamp.com/album/live-ateliers-clausAvailability: 2022 Territories; Europe + UKBorn in France and currently residing in Brussels, Roxane Métayer is a multidisciplinary artist. Learning the violin at a young age, she also developed herself as a visual artist, creating drawings, sculptures in uncommon materials as soap, and in recent years video. Her work as a musician is of an equally spontaneous nature. The violin is often taking the melodic lead, but at the same time serves a drone background.ENSEMBLE NEON (Norway)https://ensembleneon.bandcamp.com/album/niblock-lambAvailability: To be announced Territories: Europe + UKEnsemble Neon is an Oslo-based contemporary music group working across artistic forms, collaborating with visual artists and performers such as Susanna, Phill Niblock, Alvin Lucier, Johannes Kreidler, Oren Ambarchi, Marina Rosenfeld, Jan St. Werner. neoN strives to listen to a world that is constantly changing. It is this attitude that keeps challenging and expanding the ensemble’s musical language. The last years Ensemble neoN has made a mark both nationally and internationally by performing at festivals like MATA, Ultima, Molde Jazzfestival, klub katarakt and Only Connect. neoN’s releases include NEON: Niblock/Lamb (Hubro), Choosing to Sing,with Eivind Lønning (SOFA), as well as the debut album « neoN » (Hubro) and ‘The Forester’ with Susanna Wallumrød (SONATACD), both of which were awarded a Norwegian Grammy.COME (USA)https://come.bandcamp.com/album/dont-ask-dont-tell-expanded-editionAvailability: 29th September Territory: BelgiumCome is a cult American alternative rock band, formed in Boston by Thalia Zedek (vocals, guitar), Chris Brokaw (guitar, vocals), Arthur Johnson (drums), and Sean O’Brien (bass). Brokaw and Zedek had been introduced by a mutual friend in Boston shortly before Zedek moved to New York to join legendary noise rockers Live Skull in ’86. They stayed in touch, and Brokaw briefly played in Zedek’s side project Via before forming the influential slowcore group Codeine. Zedek and Johnson first met in the fall of 1988 while on tour with their respective bands Live Skull and Bar-B-Q Killers. O’Brien and Johnson were long-time friends and former housemates from the close-knit Athens, GA, music scene of the ’80s, where Sean played guitar and then bass in the Kilkenny Cats, and each of their bands was featured in the 1987 documentary Athens, GA–Inside/Out.THALIA ZADEK BAND (USA)https://thaliazedek.bandcamp.com/Availability and territories:  10th February (Belgium), 13th February (Austria, Switzerland, Munchen), 15th-16th February (Germany)Thalia Zedek has one of the most enduring and distinctive voices in modern rock music — a voice like no other — that can be heard in her work with some of the most groundbreaking underground bands, from Uzi and Live Skull to Come. Since 2001, Zedek has been making music under her own name, releasing a string of critically acclaimed albums.I hope to hear from you soon.All the best.AlainSome Noise • Rue Timmermans, 16 – 1190 Brussels, BelgiumYou received this email as a customer or subscriber of Some Noise. Click here to leave mailing list

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Noise Addict [playlist]

Voici la playlist du programme Noise Addict qui fut diffusé le dimanche 17 octobre en 22h30 et minuit sur les ondes de Radio Campus Bruxelles.

1/ Thrill Jockey: THE BODY AND BIG BRAVE: « Babes in the woods ». Leaving None But Small Birds.

2/ OMNIBAEL: « Pleasure is pretence ».

3/ Ninja Tune: THE BUG: « Clash ». Fire.

4/ GRAHAM HAYNES: « Bushwick ».

5/ Wire: GENTLE FIRE: « Live at Ices72 ». Various^Wire Tapper 55.

6/ DUMA: « The echoes of the beyond ».

7/ Sub Pop: LOW: « There’s a comma after still ». Hey What.

8/ Important: DANIEL MEBCHE: ‘ »Sirocco ». Sirocco.

9/ SHIT AND SHINE: « Live in Belgium ».

10/ Relapse: ZONAL: « Catalyst ». Wrecked.

11/ RENATO GRIECO : Bin biden song ».

12/ Ninja Tune: THE BUG: « Fuck off ». Fire.

13/ BLECTUM FROM BLECHDOM: Jusr desserts ».

14/ Trouble In Mind: FACS: « Xout »? Present Tense.

15/ LOUIS JOURDAN: « 90’s »?

16/ Wire: MARIEL ROBERTS: « Hoard ». Various^Wire Tapper 55.

17/ Trost: RANALDO, JARMUSCH, URSELLI, PANDI: « Quievering air »/ Churning Of The Ocean.

18/ Relapse: FULL OF HELL: « Derelict satelliute ». Garden Of Burning Apparitions.





— 
Alain Bolle / Some Noise
16, Rue Timmermans
1190 Brussels
Belgium


https://debloque.wordpress.com/
https://www.facebook.com/alain.bolle.35

BOOKING OFFERS

Booking offers (2021 #40) Dear all, Here is my weekly newsletter. I’m bookng dates for the musicians/bands here under. Please contact me if you want to set up a concert/performance for one of them.

JEROME [Italy-Greece-Switerland] https://mapledeath.lnk.to/JeromeLP2 Availability: April 2022 Territory: Belgium Formed in London in 2019, the Italian/Swedish/Greek duo of Annalisa Iembo and Stella Mathioudakis has been slowly perfecting their raw soul freeing music in opposition to their classically trained backgrounds. The improvisational escape of their acclaimed debut ‘Moods’ has morphed into a pulsating industrial beast, a sub heavy cascade of noir jelly. ‘LP2’ was recorded over a period of 5 days locked in a small room in the Italian flatlands and then further developed and refined between Italy-Sweden during the pandemic. It’s like if the techno remnants of early Downwards Records and Regis/Surgeon collaborations have been gracefully destroyed into a fluid rhythmical rural dreamland, where joy and rays of light are allowed to timidly peak in. No better song could encapsulate Jerome’s spirit than album opener ‘2050’, a steady deep ecstatic low thud dictating the premises over metallic reeds gently strummed by the wind and Stella’s commanding haikus generating human empathy. ‘Push Me Harder’ is and EBM induced anthem featuring James Cox of London heavy-punks Crows on vocals, a cagey propulsive club trotter that transitions into the psychedelic with ‘Humans – Sta Oneira’, the eerie calming blissful piano finale cleansing any previous alien instability. ‘Life’s Eye’, the album centerpiece revolves around a concentric beat, a tribal LFO stinger followed by kickdrum raver ‘DRBS’ a parallel party where the better parts of Kraftwerkian Detroit techno are sped up and spit out with shards of noise and cowbell action. Owen Pratt from London’s industrial Uncanny Valley sings on ‘Gargoyle’, a slow-trance smoker that beautifully segues into ‘Leela’ a stunning reminder of how Jerome’s music unites body, movement and warmth while punctuating and exploring synthesized realities & club culture, an organic reaction to overcoming pain (Is Space Is Time) through growth, liberation and heart. VON STROHEIM (UK-Belgium] https://vonstroheim.bandcamp.com/ https://youtu.be/WSvgKbXPTYQ Availability: November 2021 – First half of 2022 Territories: Europe + UK Von Stroheim is a doom blues trio fronted by a female singer with a haunted voice. The lyrics are inspired by film noir from the 40’s and 50’s. The trio’s elegant post-metal compositions are enriched with film samples, as well as synths and theremin which give their work a truly cinematographic feel. The Beautiful, Not the Damned – the trio’s 3rd offering – was released in September 2021. The trio has been described as ‘Patti Smith meets Swans’ and ‘Neurosis featuring Jarboe’. Founding members Raphaël Rastelli and Dominique Van Cappellen-Waldock have collaborated with the following artist: Eugene S. Robinson (Oxbow), Eve Libertine & Penny Rimbaud (Crass), Dana Schechter (Insect Ark, Swans) among others. BUDOKAN BOYS [USA] https://shapeplatform.eu/category/listen/ Availability: From mid January 2022 onwards Territories: Europe + UK Budokan Boys—composer Jeff T Byrd and fiction writer Michael Jeffrey Lee—are a mercurial American duo currently based in Berlin. Iterations of the ever-evolving project have included a psychotic vaudeville phase (2018’s That’s How You Become A Clown), a wry and mischievous prankster phase (2019’s DAD IS BAD), and a mystical grief and trauma phase, as heard on 2020’s horrific and heartfelt So Broken Up About You Dying. They are now busy writing their next opus, a space opera. ROSE BOLTON [Canada] https://cassauna.bandcamp.com/album/the-lost-clock Availability: 2022 Territory: Europe + uk As a performer, she variously employs electronics, violin, and viola. Parallel to her engagement with exploratory approaches, she’s invested in the fiddle traditions of the British Isles, and various Canadian regions. She teaches this repertoire at the Royal Conservatory of Music. Bolton has also performed with Rhys Chatham, Owen Pallett, opened for Charlemagne Palestine, and appears on recordings by the likes of Chatham and Aidan Baker. In 1999 she joined the Canadian Electronic Ensemble, whose fifty-years together make them the world’s longest-running live-electronic music group. In February 2020, the CEE held a residency and provided guest lectures at Carnegie Mellon University’s music department. Bolton has also led workshops at the Banff Centre, also founded the SOCAN/ Moog Audio-sponsored program EQ: Women in Electronic Music, which worked to foster community and mentorship among (trans/cis) women and non-binary individuals. LEANDRO BARZABAL [Argentina] https://www.youtube.com/watch?v=lHb-YghgWI8 Availability: On request Territory: Europe + UK Leandro Barzabal. 1981. Argentina. Active in the experimental music and performance scene in Argentina since the turn of the century. His approach to musical composition is the total free and physical improvisation, or the electroacoustic studio composition, mostly with diy electronics. Since 2018 he lives in Paris, France.As an improviser he crossed paths on stage or studio with musicians like Maria Chavez, Lasse Marhaug, Dror Freiler, Xavier Charles, Anla Courtis, Zbigniew Karkoswki, Chris Corsano, among others. He participated in festivals like Aural (Mexique), Acéfalo (Valparaíso), Tsonami (Buenos Aires), Un Été au Havre (Le Havre), Sonic Protest (Paris), INACT (Strasbourg) and also creation residency programs at Art Omi, 2006 (Ghent, USA), Instants Chavirés, 2020 (Montreuil, France) et Het Resort, 2020 (Groningen, Netherlands). His physical approach to performance led him to collaborate in plays of contemporary dance and theater with choreographers such as Luis Garay, Osías Yanov et Natalia Tencer. HIs newest set centers around an instrument constructed by himself composed of 42 oscillators.

I hope to hear from you asap. All the best. Alain

Some Noise • Rue Timmermans, 16 – 1190 Brussels, Belgium

Booking offers

Booking offers (2021 #39)Dear all,Please find here under my weekly newsletter.The musicians and bands here under are available for live concerts/performances.I am booking dates for them.Please feel free to get in touch with me if you want to set up a concert/performance.

ARASH AKBARI [Iran]https://karlrecords.bandcamp.com/album/fragments-of-yearningAvailability: February 2022 Territories: Europe + UKArash Akbari is a transdisciplinary artist, based in Tehran, Iran. His interest in dynamic art systems, human perception, nonlinear narrative, and the co-existence between physical and digital worlds compelled him to explore the fields of generative systems, interaction design, and real-time processing. He examines the ways interactive cybernetic systems and their emergent behaviors can evoke concepts, ideas and questions as well as social and emotional responses and impacts. Akbari directs his experimental practices into audio-visual performances and installations, interactive applications, and multisensory experiences. His compositions investigate experimental approaches to sound generation, field recordings, acoustic instrumentation, digital synthesis, DSP, and noise to create immersive sonic environments that explore the agency of autonomous systems, indeterminacy, memory, and the perception of time and space. His work has been presented in different festivals and exhibitions around the world, such as Athens Digital Arts Festival, Recto VRso Festival, Mutek Forum, Simultan Festival, New Media Fest, 3D Web Fest, Cinnamon Colomboscope, Lacuna Festival, Videofenster and Graphical Web Conference. He has released albums on Karl Records, Flaming Pines, Unknown Tone Records, Taalem, and Soft Recordings among numerous other labels. He has collaborated with many great artists such as Moor Mother, Martin Steer (Bad Stream),Farzané, Sote and others.DAHJYN [USA]https://mostdismalswamp.bandcamp.com/album/the-gallAvailability: 2022 Territories: Europe + UKThe Gall is the debut EP from Brooklyn producer and vocalist Dahjyn, featuring additional remixes by Endgame, Thegn, and trngs. With relentless industrial gut-punch percussion, textural power electronics, and reflective baritone verse, these 5 tracks embody a convulsive tension between an abrasive physicality and a brooding emotionality: a visceral incantation working through.LOUIS LAURAIN (France)https://insub.bandcamp.com/album/pulses-pipes-patternsAvailability: On request Territories: Europe + UKLouis Laurain (1984) is a trumpet player, living in Paris. his work lies at the borders of experimental music, electro-acoustics, Jazz, traditional music, visual and performative arts. While developing an original language on his instrument, he seeks, threw solo or collaborative projects, an innovative and personal way of playing and thinking about music. In the past years he collaborated with Eliane Radigue, Stephen O’Malley, Umlaut Big band, Pierre Huyghe, Axel Dorner, Guy One, Perrine Bourel, Xavier Charles, Mosin Kawa, Yves-Noel Génot, John Tilbury, Nicolas Collins, Zombie-Zombie, Chakib Bouzidi, Pierce Warnecke He performs regularly as a solo. He is also a member of the Berlin band DIE HOCHSTAPLER, the French-Polish group LUMPEKS, the duo TDTNDG and ONCEIM (improvised and experimental music orchestra of 30 people). He has toured in Europe, Asia, Africa, North and South America and Russia.JOYFULTALK (Canada)https://soundcloud.com/joyfultalkAvailability: Summer + Fall 2022 Territories: Europe + UKFrom a secluded outpost on Nova Scotia’s mystical South Shore, junked-analog project JOYFULTALK conjures micro-climate trance music. The brainchild of instrument builder and alchemist Jay Crocker, JOYFULTALK offers up instrumental compositions of analogue tongue that flow like wordless rivers and glitching fields of electric grass through a bric-a-brac vocabulary of handmade electronics. Crocker’s music channels a sonic regionalism influenced by the craggy treelines and flowing rivers of Lunenburg county, with gnarled jamscapes rendering natural spaces in a hazy parallel universe, navigating the astral plane by way of his rugged maritime environs; tinkered lightfields of forward motion in a maniac’s grove.IAN SIEGAL (UK)https://www.youtube.com/watch?v=iO4M-WzZbQUAvailability: April-May 2022 Territory: FranceBorn in the deep south (of England!) in 1971, Ian’s earliest musical memories are of the likes of Buddy Holly, Jerry Lee Lewis, Elvis and Chuck Berry, but it was on hearing the great Little Richard that he really caught the music bug and became nothing short of obsessive about it. This lead him into a life-long passion for the Blues and all of its various branches, and most of all, the man he calls « God » – the inimitable Muddy Waters.

Thanks for reading.I hope to hear from you soon.All the best.Alain

Some Noise • Rue Timmermans, 16 – 1190 Brussels, Belgium

Noisy Crescendo [playlist]

Voici la playlist du programme Noisy Crescendo qui fut diffusé le dimanche 10 octobre 2021 sur les ondes de Radio Campus Bruxelles entre 22h30 et minuit.

1/ Zappa: THE MOTHERS: « Introducing the Mothers ». The Mothers 1970.

2/ Real World: BAB L’BLUZ: « Ila mataé ». Mayda.

3/ On Ice Machine: STEPHEN MALLINDER: « Del sol ». Pow-Wow.

4/ Type; YELLOW SWANS: « Foiled ». Going Places.

5/ Dead Ocean: BRIGHT EYES: « Page turner rag ». Down In The Weeds Where The World Once Was.

6/ American Patchwork: MOMUS: « Movement » + « I got it from Agnes » + « My corona ». Vivid.

7/ Dreaming: NAVEL – Album: Ambient 3 From Very Far Out


— 
Alain Bolle / Some Noise
16, Rue Timmermans
1190 Brussels
Belgium


https://debloque.wordpress.com/
https://www.facebook.com/alain.bolle.35

Noisy Crescendo (playlist)

Voici la playlist du programme Noisy Crescendo qui fut diffusé sur les ondes de radio Campus Bruxelles le dimanche 3 octobre 2021 entre 22h30 et minuit.

1/ Deutsche Austrophon: SUN RA: « Somewhere there ». Calling Planet Earth.

2/ Dischord: FUGAZI: « Dear justice letter ». Steady Diet Of Nothing.

3/ Dischord: FUGAZI: « Suggestion ». 13 Songs.

4/ Free Dirt: JAKE BLOUNT: « Move, Daniel ». Spider Tales.

5/ Agogo: MULARTU ASRATKE & BLACK JESUS EXPERIENCE « Living on stolen land ». To Know Without Knowing.

6/ Piranha: ALHOUSSEINI ANIVOLLA & GIRUM MEZMUR: « Algher »? Afropentatonism.

7/ Mushroom Hour: DUMAMA + KECHOU: « Leaving prison »? Buffering Juju.

8/ Anti-: LIDO PIMIENTA: « Para transcribir [sol] ». Miss Columbia.

9/ Antena Krzyku: UNBITE – Album: Fang

10/ The Wire: VARIOUS – Thz Wire Tapper 55


— 
Alain Bolle / Some Noise
16, Rue Timmermans
1190 Brussels
Belgium


https://debloque.wordpress.com/
https://www.facebook.com/alain.bolle.35

Booking offers

Booking offers (2021 #38) Dear all, Please find here under some bands and artists who will soon touring. I am booking concerts/performances for them. Feel free to contact me if you want to set up a concert/performance for one of them.

SHIT AND SHINE (USA) https://shitandshine.bandcamp.com/ Availability: February 2022 Territory: Europe + UK Bubbling up from his post-everything cesspit, $hit & $hine cups another killer album boff to the grill of Diagonal with Total $hit!, his 2nd LP and 3rd full release for Powell and Jaime Williams’ indomitable imprint. A rancid ruck of rock ‘n roll and industrial entrails squeezed for sustenance and sploshed with classic ’80s disco, Total $hit! is nothing if not a definitive Craig Clouse record; insistently playful, scatty and demented in equal measures, but with a couldn’t care less attitude that’s always refreshing and welcome around these parts. RENATO GRIECO (Italy) https://mdts.bandcamp.com/album/bin-biden-song Availability: On request Territories: Europe + UK I’m a composer and sound enthusiast based in Naples, south Italy. Nowadays I’m involved in several sound activities which finds me working on topics such as listening, archiving, questioning space trough producing and recording sounds. Since 2012 I’ve been training myself to master repetitive movements both feeble or very projective and I spent a lot of time designing tools or spaces for listening, speaking inside objects, listening through objects, all of this with a critical attitude regarding sound ecology. I just try to not place myself in the border between scientific nor theoretical thoughts. I assume listening as a proper cognitive tool itself, which affect intellect and body with its own semantics, humor and tragic nature. BLECTUM FROM BLECHDOM (USA) https://deathbombarc.bandcamp.com/album/deepbone Availability: Late June 2022 Territories: Europe + UK Electronic/Computer Music super-duo Blectum from Blechdom (Blevin Blectum = Bevin Kelley, Kevin Blechdom = Kristin Erickson) go way beyond where any enfolded fractal has ever gone, deep into the deepest bone, with their newly released album DEEP BONE out on Deathbomb Arc (Los Angeles, US). Together forever since 1998, they have released music on Tigerbeat6, Phthalo, Orthlorng, and Deluxe Records (Berkeley California, US), and separately as Kevin Blechdom or Blevin Blechdom. FRESCHARD (France) + STANLEY BRINKS (France) https://freschard.bandcamp.com/ https://stanleybrinks.bandcamp.com/ Availability: First half of February 2022 Territory: Europe Stanley Brinks began performing officially as André Herman Düne in 1999, sharing lead vocals, guitar playing and songwriting with his brother David in the band Herman Düne for a number of years. They released several albums and toured extensively in UK, gaining and owing a lot to great support from John Peel. He has used many monikers for various side-projects, but since leaving Herman Düne in 2006, he has been known solely as Stanley Brinks. Born in Paris, Stan has been living between New York, San Francisco, Malta and Berlin for about a decade, always on the move. He has recorded more than 100 albums, collaborated with the New York Antifolk scene on several occasions, recorded and toured with traditional Norwegian musicians, and played a lot with The Wave Pictures. Freschard grew up in a farm in French Burgundy. Aged 18 she moved to Paris, where she baked pies and cakes in a cafe. There, a local musician and regular customer called Stanley Brinks wrote a few songs for her to sing. Homeless in Paris, she saved up just enough money to get herself a ticket to New York. There she found an old electric guitar and started writing her own songs. In 2004 she moved to Berlin, where she recorded her first LP, « Alien Duck ». Her second album, « Click Click », recorded in 2006, features electric guitar by Stanley Brinks. On her third album, she plays the drums herself. On her fourth « Shh… » she also plays the flute. For this year’s « Boom Biddy Boom » she also plays the washboard. GERT-JAN PRINS [The Netherlands] + LUKAS SIMONIS [The Netherlands] https://z6records.bandcamp.com/track/mothers-of-exit Availability: On request Territories: Europe + UK Gert-Jan Prins and Lukas Simonis are two experienced and well-known improvisational musicians. For their first collaboration they created some harsh and dissonant productions, run through with noisy insertions, whistles and weird effects, and a whole bunch of sounds made by guitars, modular synthesizers, microphones and drums used in a visceral and impressive way. Both the musicians demonstrate their background of specialist knowledge: Prins is at ease with the most rhythmical parts, with microphones and different effects. Simonist plays the guitar, the synth and the blippo box, an electronic generator of sounds, which acts according to the principles of chaos theory. Stylistically, the duo works on the edge between jazz and noise rock, with heavy use of established improvisational techniques. For example, this includes dichotomies (empty – full, rhythm – melody, repetition – difference, inside – outside), the tonicization or substitution of chords, and the alternation of instrumental interventions using specific forms of rhythmic addition and subtraction. In Mothers Of Exit the sounds are always events and the patterns and textures of the tracks presented offer continuous mutations, changes of atmosphere and energy levels, remaining substantially noisy but never conventional. The two eclectic performers also get back to their own instruments, the drums for Prins and the guitar for Simonis. At the same time, many other elements are very strong and present all over the work. The improvisational phraseological coherence of the duo is unquestionable. Although some elements might seem quite « minimal », the whole set is not bare and shows an accentuated complexity. « Complexity is what is woven together », Edgar Morin said, and here we can find multiple elements that together make a very vivid, sharp and enjoyable final result.

I look forward to hearing from you soon. All the best. Alain

Some Noise • Rue Timmermans, 16 – 1190 Brussels, Belgium