BOOKING OFFERS: ETERNAL TAPESTRY, PLUS INSTRUMENTS, ANNELIES MONSERE, TOMAGA

[Somenoise] BOOKING OFFERS: ETERNAL TAPESTRY, PLUS INSTRUMENTS, ANNELIES MONSERE, TOMAGA
De Alain BolleAdd contact
Expéditeur SomeNoiseAdd contact
À somenoise@listes.agora.eu.orgAdd contact
Date Aujourd’hui 11:05
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Dear all,

I’m booking dates for: ETERNAL TAPESTRY, PLUS INSTRUMENTS, ANNELIES MONSERE, TOMAGA

ETERNAL TAPESTRY (USA)

Availabilitis: 3rd and 4th June
Territory: Belgium

PLUS INSTRUMENTS (THE NETHERLANDS)

http://www.plusinstruments.com/
Availabilities: Between 14th and 3Oth March but not on 21st, 23rd,
26th March
Territory: Europe

ANNELIES MONSERE (BELGIUM)
https://anneliesmonsere.bandcamp.com/album/split-7

Availability: On request
Territory; Europe

TOMAGA (UK)

http://tomaga.bandcamp.com/
Availability: On request
Territory: Belgium

ETERNAL TAPESTRY
ortland, Oregon’s sonic explorers Eternal Tapestry have always had a feeling of interplay between their impressionistic music and the dense forests that surround their hometown, but on their newest album, Wild Strawberries, they take that naturalistic inspiration to a new level. Wild Strawberries is a massive double album, which was recorded in a secluded cabin under the shadow of Mount Hood in Zigzag, OR. The Zigzag River flowed nearby, and the group spent time between takes learning about the area’s floral make up and relaxing under the stars. This idealistic lifestyle, however temporary, helped to chart the course of the recording process. Wild Strawberries’ artwork and song titles, which are named after plants specific to the region, both speak to the influence of that environment. The lush atmosphere combined with a week long sequestration from the outside world had a pronounced impact on the music, which unfolds in a panoramic slow burn. Wild Strawberries yields vast rewards for those who spend time in its aural forest.

PLUS INSTRUMENTS
Truus’ musical career spans close to 4 decades. Born in Eindhoven, The Netherlands she debuted as a chanteuse just at the beginning of the Punk craze in 1976. After a brief stint that introduced her to a touring style of life, with (ultimately) one of Holland’s most famous Pop bands « Doe Maar » (then called « Fool’s Band Doe Maar »), she continued playing in a number of Dutch bands. Her direction took her into a more experimental phase. She released her first single in 1979 on the Plurex Label with a duet called “BandT Plus Instruments”. Playing odd electronic instruments, Bass and vocals, most of their performances were improvised. She teamed up Michel Waisvisz, the inventor of the Crackle Synthesizer in numerous performances. At the same time she was also the lead singer in the popular Dutch New Wave Band “Nasmak”. Who released an album, again on the Plurex Label, in 1980, “Instruments Plus Nasmak / Nasmak Plus Instruments”.

ANNELIES MONSERE
Annelies Monseré has been playing music solo since 2000. Initially the music was piano-based and mostly instrumental. Once she ‘discovered’ her voice, vocals became a main focus. The early songs had very simple structures and melodies, and the words were sparse and introvert. Musically, she experimented with different instruments such as cello, guitar, xylophone and melodica. Her debut album ‘Helder’ (released by BlueSanct) was described as « a delicate album, complete with beautiful cracks and loads of tape-hiss. […] an intensely intimate album ». Other musicians, such as Wim Lecluyse (Circle Bros.) , Ellen Evers (The Puddle Parade), Jessica Bailiff, Michael Anderson (dREKKa, Turn Pale), Nathan Amundson (rivulets), Justin Vollmar (Vollmar)and Nathan Vollmar (Vollmar) supported her on stage and contributed to her second album ‘Marit’ (release by Auetic). This gave the album a significantly warmer sound and a less solitary feel than her previous material. Her most recent output is a 7 inch called ‘somewhere someone’ on Morc Records. This ep features a Hammond organ for the first time. This instrument led to new approaches in songwriting. This release deviates clearly from previous releases, with a darker and harsher sound. Besides her solo materials she is also collaborating with Jessica Bailiff. An EP has been released by Morc Records. For the moment she is working on a third full length, on new music with Jessica Bailiff, and more.

TOMAGA
TOMAGA is two musicians on a quest to deconstruct their normal sonic palette and create a new and unfamiliar sound world. Having played as musicians for years in bands such as The Oscillation, Shit N Shine, Neon Neon, Raime, Voice Of Seven Thunders, Luke Roberts and countless others, TOMAGA channels multi-instrumentalism into music that is by turns reminiscent of industrial, jazz, psychedelia and minimalism.
Rather than the complex, abstract sound that we might have expected to result from their totally unfettered musical explorations, the duo’s minimalist compositions are darkly psychedelic, elusive and deeply imbued with images – as though they have set some curiously unsettled, surreal dreams to music. After their first, self-produced cassette, Sleepy Jazz For Tired Cats, which was released in 2013, TOMAGA returns this autumn with their first album. ‘Futura Grotesk’ will be released on vinyl with the French label, Hands in the Dark.

Thank you for reading.

I woild like to hear fro you as soon as possible.

Enjoy your w-e.

Alain

—
Some Noise / Alain Bolle
PO BOX 43
1050 Brussels 5 (Wery)
Belgium

https://debloque.wordpress.com/
https://www.facebook.com/alain.bolle.35

BOOKING OFFERS: MAIN/STEPHAN MATHIEU, DRIP DRY MAN & THE BEAT REVOLVER, MUGSTAR

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[Somenoise] BOOKING OFFERS: MAIN/STEPHAN MATHIEU, DRIP DRY MAN & THE BEAT REVOLVER, MUGSTAR
De Alain BolleAdd contact
Expéditeur SomeNoiseAdd contact
À somenoise@listes.agora.eu.orgAdd contact
Date Aujourd’hui 16:51
Message 2 sur 27

Dear all,

I am booking some dates for: MAIN/STEPHAN MATHIEU, DRIP DRY MAN & THE BEAT REVOLVER, MUGSTAR

MUGSTAR (UK)

Availability: 11th April
Territory: Belgium

MAIN (UK/GERMANY)

Availability: May and June 2015
Territory: Europe

STEPHAN MATHIEU (Germany)

Availability: May and June 2015
Territory: Europe

DRIP DRY MAN & THE BEAT REVOLVER (UK/BELGIUM)


Availability: May and June 2015
Territory: Europe

MAIN
There has been a recent surge in activity from Robert Hampson, with all manner of solo recordings and performances popping up. Its only logical that he reactivates his beloved Main project. As we all know, Main laid the foundations during the 1990s for much of love of abstract guitar treatments in electronic music throughout the 2000s.
Hampson has teamed up with Stephan Mathieu to create a stunning new album. On ‘Ablation’, Mathieu adds extra tonal colour and an obscure rhythmic palette to Hampson’s exacting treatments and detailed use of layered concrète sounds to create an emotionally charged and fascinating work.

STEPHAN MATHIEU
Stephan Mathieu (born 11 October 1967) is a German musician and sound artist whose work is based on digital and analog processing techniques. He currently lives and works in Bonn, Germany.
Stephan Mathieu is a self-taught composer and performer of his own music, working in the fields of electroacoustics and abstract digitala. His sound is largely based on early instruments, environmental sound and obsolete media, which are recorded and transformed by means of experimental microphony, re-editing techniques and software processes involving spectral analysis and convolution.

MUGSTAR
Currently signed to Massachusetts’ Important Records, MUGSTAR have
released six albums since 2006, the last being Record Store Day 2013
album release ‘Centralia’; a cosmic motorik voyage recorded in
Berlin. December 2013 and January 2014 sees the release of two new
records; ‘Cosmic Mugstar Dead’ and ‘Start from Zero’;
collaborations with The Cosmic Dead for the former and the latter with
Damo Suzuki. Their next releases will be a re-issue of their 2010
album ‘…sun, broken…’ and a singles / rarities double vinyl
release, forwarded by extensive tours and a brand new album in October
2014.
MUGSTAR’s live shows are renowned being an audio / visual assault on
the senses and have recently successfully headlined the Saturday night
of Liverpool International Festival of Psychedelia alongside Clinic.
They have also appeared at All Tomorrow’s Parties, Supernormal,
Primavera, Monkey Week, Le Guess Who and Supersonic Festivals.

DRIP DRY MAN & THE BEAT REVOLVER
After many touring through Europe, the English one man band the Drip
Dry Man landed in Amsterdam, settled down and presents himself and his
band the Beat Revolver at Paradiso, October 31st 2012. Many shows
followed as support for Jon Spencer Blues Explosion, Jim Jones Revue,
Dead Meadow, Experimental Tropic Blues Band, etc,… as well a great
tour in Germany and Spain

Thanks for reading.

I hope to hear from you asap.

All the best.

Alain

—
Some Noise / Alain Bolle
PO BOX 43
1050 Brussels 5 (Wery)
Belgium

https://debloque.wordpress.com/
https://www.facebook.com/alain.bolle.35

Noise Addict: playlist du 25/01/2015 sur les ondes de Radio Campus entre 22h30 et 00h00

1/ CICCONE YOUTH: « G-Force ». The Whitey album. Sonic Youth. 1986

2/MURMUR METAL / David BAUSSERON @ MOC Festival #1 -2014 (Youtube)

3/Motörhead: « Don’t need religion ». Iron First. Bronze. 1982.

4/ SCOTT WALKER + SUNN O))): « Herod 2014 ». Soused. 2014

5/ M O N T E I S O L A: « Traverse ». Bandcamp.

6/ The POP GROUP:  » We are Time » – Cabinet of Curiosities – 1978/2014 Freak Rec

7/ CICCONE YOUTH: « Fly fly away ». The Whitey album. Sonic Youth. 1986

8/ Charles Gayle Trio « Play from your heart ». Youtube.

9/ IKEDA: « Supercodex 08″ Supercodex – Raster-Noton

10/ WHITEHOUSE:  » Dom » – Dedicated to Peter Kurten – Susan Lawly 1981

11/ THURSTON MOORE:  » DEtonation » – The Best Day – 20014 Matador

12/ CICCONE YOUTH: « The Royal Tuff Titty ». The Whitey album. Sonic
Youth. 1986

13/ ARABROT: « The Grip of The Family A? Cinch » – I Modi – 2014 Fysik
Format

Philippe et Alain

Booking offers: ANTOINE LANG, DAVID SHEA, LA HELL GANG, SAMBA TOURE

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BOOKING OFFERS: ANTOINE LANG, DAVID SHEA, LA HELL GANG, SAMBA TOURE
De Alain BolleAdd contact
À somenoise@listes.agora.eu.orgAdd contact
Date Aujourd’hui 16:53
Message 1 sur 454

Dear all,

I am booking some dates for: ANTOINE LANG, DAVID SHEA, LA HELL GANG, SAMBA TOURE

ANTOINE LÄNG (Switzerland)

Availability: Between mid May and mid june
Territory: Europe

DAVID SHEA (Australia)

Availability: between 2nd week November and 3rd week December
Territory: Europe

LA HELL GANG (Chile)

Availability: 19th April
Territory: Belgium

SAMBA TOURE (Mali)






Availability: Between 21st and 26th March + from April 6th onwards
Territory: Europe

ANTOINE LÄNG
Antoine Läng’s (vocals+electronics) taste for hybridization and experimentation leads him to use electronic devices as a means of voice processing to extend its range. Initiated in rock, metal or jazz bands, this process is ongoing and increasingly directed toward experimental and improvised music, in regular projects (dQtç, Léon trio, Atomic Paracelze, InsubMetaOrchestra) or solo. Fascinated by the plasticity of the human voice and the multiple roles it can play in electroacoustic and experimental music, his approach to the instrument extends to several registers – spoken, sung, noise, abstract sound textures. His improvisational work revolves mainly around the peripheral sounds and noise, leading to the production of organic and abstract textures or turning into singing, and includes some unique vocal techniques combining lyrical sophistication and brute animality.

DAVID SHEA
Born December 8th 1965 in Springfield Massachusetts. At the age of about five he moved to Indianapolis, Indiana where he began playing clarinet around the age of ten as well as anything else he could get his hands on, in local blues, punk, rap, gospel, folk, and jazz groups through his teenage years. A strong interest in records and films led to hundreds of hours lost in libraries and a developing fascination with avant -garde art and composition. From 82-84 he studied music at the School of Performing Arts in Indianapolis though most of the compositional studies and early record collages were self-taught explorations. This led to a year at the Oberlin Conservatory where fanatical studying and a heavy dose of Duchamp, Cage, Fluxus, Xenakis with introductions to computer music produced a mass of pieces soon to be lost after leaving what he felt was a closed and cynical environment.
“These pieces have been recorded over the last five years; combining ensembles of acoustic and electronic instruments, samples, and field recordings made in Australia and composed during my time living in Melbourne. In this period I have immersed myself in traditional ritual music centred on Buddhist and Taoist traditions as well as the work of Luc Ferrari and Giacinto Scelsi. The Rituals here are influenced by ceremonial rituals as well as internal and personal ones and pieces, which have combined the oldest and newest technologies.

LA HELL GANG
Earning high praise from their debut, 2010′s _Just What Is Real_, La
Hell Gang have traded in the cleaner, ’60s-indebted sonics which
populated that record with something more complex, a murkier palate
that instills these eight songs with languid mystery. _Thru Me Again_
wades through these danger-infested waters with otherworldly grace,
hanging back in the frame while their brand of laced blues wander
fills the room with an unassailable vibe of concentrated lust.
Providing a counterpart to the sounds of fellow travelers in their
homebase of Santiago, such as Watchout! and Föllakzoid, _Thru Me
Again_ is the product of a band mastering its own language, and
learning that the tender moments of their music can go as deep as
their proverbial paint-peelers. You might be visiting this new world,
but La Hell Gang lives there, knows every crater, all the flora and
fauna, and have generously offered to take you on a journey of their
architected existence. You would be wise to follow.

SAMBA TOURE
Samba Touré’s previous album ‘Albala’ was recorded during the fear-laden atmosphere of 2012, when northern Mali (including his ancestral village of Diré) had succumbed to sharia law and radical Islamist control and Bamako, his adopted home, still reeled in the chaos of the recent military coup. The album received widespread acclaim and was rightfully recognized not only as the best album of Samba’s career but also as an undeniable musical statement about the human toll of war and political crisis.
‘Albala’ was co-produced by Philippe Sanmiguel and Chris Eckman (the Walkabouts, Dirtmusic..) with guest guitarist Hugo Race (Nick Cave and the Bad Seeds, Dirtmusic, Fatalist…)Samba had spent years honing his artistry (including stints playing with Malian blues master Ali Farka Touré and Kora genius Toumani Diabate) and ‘Albala’ signposted a mature artist, full of sonic imagination and narrative fire.

Thank you for reading.

I hope to hear from you as soon as possible.

Regards

Alain

—
Some Noise / Alain Bolle
PO BOX 43
1050 Brussels 5 (Wery)
Belgium

https://debloque.wordpress.com/
https://www.facebook.com/alain.bolle.35

BOOKING OFFERS: ANDREA BELFI, LA JUNGLE, TRADITION TRIO, WAYNE HORVITZ.

Dear all,

I am booking the following artists: ANDREA BELFI, LA JUNGLE, TRADITION TRIO, WAYNE HORVITZ.

ANDREA BELFI (Italy)

Availability: from early May 2015 onwards
Territory: Europe

LA JUNGLE (Belgique)
http://lajungle.bandcamp.com/
Availability: on request
Territory: Europe

TRADITION TRIO (International group)

Availability: 13th, 14th et 16th, 17th May 2015
Territory: Belgium

WAYNE HORVITZ (Usa)
http://www.waynehorvitz.net/
Availability: 19th or 20th May (also possible on 16th, 17th, 21st May
Territory: Belgium

ANDREA BELFI
Andrea Belfi is a drummer, electroacoustic musician and composer. His
projects and collaborations extend to diverse musical fields, from rock
to electroacoustic experimentation, from avant-folk to radical
improvisation, from audio/visual performance to sound installation.

LA JUNGLE
La Jungle, duo with six strings and four barrels in deep trance. Large
primitive pulsions and sweaty dancing around a huge fire in the middle
of the jungle. Two wild savages mix their debacles with few violent
ostinatos. Throbbing shamans voice and overlap guitar riffs are
supported by a wild and oozing drums. Birth June 2013. First LP out in
January 2015 on Rockerill records, Whosbrain Records & Dewane Records.

TRADITION TRIO
JOHANNES BAUER is a trombonist unlike any I’ve seen before. A good
deal of what Bauer played were vocalizations and breath sounds
projected through his horn. When he did play notes, they could be
almost too soft too hear or so loud that they splatter against the
back wall and bounce back. At the break, about half the audience left
looking bewildered. The rest of us were really digging the sounds …
from Euro-Improv and the Spirit of Jazz [2] by Bob Pomeroy © 2003
ALAN SILVA is known as one of the most inventive bass players in jazz
and has performed with many of the great names in the world of
avantgarde-jazz, including Cecil Taylor, Sun Ra, Albert Ayler, Sunny
Murray, and Archie Shepp.
Silva performed in 1964’s October Revolution as a pioneer in the free
jazz movement, and for Ayler’s _Live in Greenwich Village_ album. He
has lived mainly in Paris since the early 1970s, where he formed the
Celestial Communication Orchestra, a group dedicated to the
performance of free jazz with various instrumental combinations. [3]
In the 1990s he picked up the electronic keyboard, declaring that his
bass playing no longer surprised him. He has also used the electric
violin and electric sarangi on his recordings. (Wikipedia)
In 1984-5, ROGER TURNER was invited for workshop residences at Alan
Silva’s Institute Art Culture Perception in Paris, where long-term
collaborations with Alan began, culminating in The Tradition Trio with
Johannes Bauer. This group was central to his explorations of forms of
free jazz, an interest that has seen him working with musicians on
both sides of the Atlantic (including Elton Dean, Irene Schweizer,
Cecil Taylor, Roy Campbell, Henry Grimes, The Wardrobe Trio and
Charles Gayle). (Wikipedia)

WAYNE HORVITZ
Wayne Horvitz is a composer, pianist, and electronic musician. He has
performed extensively throughout Europe, Asia, Australia, and North
America. He has performed and collaborated with Bill Frisell, Butch
Morris, John Zorn, Robin Holcomb, Fred Frith, Julian Priester, Philip
Wilson, Michael Shrieve, Bobby Previte, Marty Ehrlich, Skerik, William
Parker, Ron Miles, Sara Schoenbeck, Peggy Lee, Steven Bernstein, Briggan
Krauss, and Dylan van der Schyff among others. He has been commissioned
by the NEA, Meet The Composer, Kronos String Quartet, Seattle Chamber
Players, Mary Flagler Cary Trust, PGAFF, BAM and others. Collaborators
include Paul Taylor, Liz Lerman Dance Exchange, Gus Van Sandt and Gordon
Edelstein. He has produced CDs for Eddie Palmieri, Fontella Bass, Robin
Holcomb and Bill Frisell among others. He is the 2001 recipient of the
Seattle Artist Trust Fellowship, 2003 and 2006 recipient of the City of
Seattle Office of Arts and Culture fellowship, 2002 recipient of the
Rockefeller Map Grant for JOE HILL, 16 Actions for Chamber Orchestra,
Voices and Improviser, and the 2008 NEA American Masterpieces grant for
These Hills of Glory for string quartet and improviser. Ensembles
include The President, Pigpen, Zony Mash, The HMP Trio, The New York
Composers Orchestra, The 4 Plus 1 Ensemble, Sweeter Than the Day and The
Gravitas Quartet.

I hope to hear from you as soon as possible.

All the best.

Alain

—
Some Noise
C/O Alain Bolle
PO BOX 43
1050 Brussels 5
Belgium
info@somenoise.be
https://debloque.wordpress.com

BOOKING OFFERS: aMUTE, SCRAP DEALERS, LUIGI ARCHETTI

Dear all,

I’m booking some dates for:

aMUTE, SCRAP DEALERS, LUIGI ARCHETTI

aMUTE (Belgium)

Availability: On request
Territory: Europe

SCRAP DEALERS (Belgium)
http://jauneorange.be/label/albumfr/53
Availability: From May 2015 onwards
Territory: Europe

LUIGI ARCHETTI (Italy)
http://www.luigiarchetti.com/music.html

Availability: from 15th June 2015 onwards
Territory: Europe

aMUTE
Five albums so far and always a different approach of music and its world of sickness.
Jerome gave birth to aMute with the aim of releasing some tunes, playing out some and messing about with mates, and that’s exactly what he did but the project became serious in 2004 with the release of its first critticaly acclaimed album A Hundred Dry Trees. Often compared to the works of Christian Fennesz with a more pop approach, Deuson’s following album The Sea Horse Limbo offered Deuson’s the envy to play Amute as a band. What had to happen happened as in 2009 Infernal Heights For A Drama was born as a band album for which the now then quatuor performed Europe widely.
These years of experience combined with a desire of always reinventing its music led to the release of its more experimental album to date in 2011 : Black Diamond Blues on the Belgian label Humpty Dumpty Records for which he received the « Octave de La Musique 2012 » prize.
2014-2015 marks the return of Jérôme as Amute or aMute with a even more dark album called Savage Bliss on Three:Four Records. The strong sound and bright escape of this new record defines a world on its own and definitive personal style with harder comparison to make. A move in its growing career.
2015 will see Deuson coming with another new album and a live show that may be more visually oriented with the help of the Supersymmetry team.

SCRAP DEALERS
Born into a world of desolation masked with filthy
illusions, The Scrap Dealers didn’t choose to
exist, they have to deal with it!
Life is hard, dirty and noisy… just like their music
. Do not see here an antidote or any kind of daily
cure. The Scraps simply want to deliver a powerful,
tense and crappy sound…
As a cry of rage, as a desperate stroke, their self
-titled EP « The Scrap Dealers » breaks the ambient
monotony, turns one’s blood to ice, warms up bodies
The seven tracks between shoegaze, noise and psyche
delia inject themselves with a snap! The take-
off is tricky, the landing is softer… and the addic
tion is immediate.

LUIGI ARCHETTI
LUIGI ARCHETTI (*1955)
Visual artist and musician.
He lives and works in Zurich (CH).
Luigi Archetti’s artistic work revolves around the interface between art and music, which he aims to make tangible in a variety of ways.
In his installation-based stagings he uses drawing, painting, video and sound to create tense and highly aesthetic spaces and complex reference systems.
The vocabulary of the music manifests itself not only in ideas and the way works are realized, but also in the direct use of objects and concepts from this genre.
Luigi Archetti stages the space as an image carrier in which various impulses – visual and tonal – encounter one another.

I hope to hear from you asap.

All the best.

Alain

—
Some Noise
C/O Alain Bolle
PO BOX 43
1050 Brussels 5
Belgium
info@somenoise.be
https://debloque.wordpress.com

Noise Addict: 11.01.2015 sur les ondes de Radio Campus entre 22h30 et 23h59

Playlist du programme Noise Addict diffusé sur les ondes de Radio Campus le 11.01.2015 entre 22h30 et 23h59

1/ IGOR WAKHEVITCH: ‘Danse sacrale’. Various – Danse Sacrale.
Cacophonic. 1970

2/ COLUCHE dans droit de réponse.Programme animé par Michel Polac.

3/ JEF NEVE: « Lush life ». One. Universal. 2014.

4/ EVAN PARKER / SYLVIE COURVOISIER: « Spandrel »? Eitherv or and

5/ Plantu : la caricature au service de la démocratie (Youtube)6/
PHARMAKON: « Vacuum ». Bestial burden. Sacred Bones. 2014.

7/ DUSTBREEDERS: « Live at Le Jardin Moderne ». Mommy close the door.
Starlight Furniture. ???????

8/ ALVIN NIKOLAIS: « Glymistry ». Various – Danse Macabre. Cacophonic.
1956.

9/ François CAVANNA : « A Hara-Kiri on était une bande de voyous »

9/ GODFLESH: « Forgive our Fathers » – A World Lit Only By Fire – 2014 Avalanche

10/ JENNY HVAL & SUSANNA: « I Have Walked this Body » – Meshes of Voices –
2014 SusanaSonata

11/ SCOTT WALKER + SUNN O))): « Brando » – Soused -n2014 Souhern Lord

Philippe et Alain

BOOKING OFFERS: FELIX KUBIN, ARABROT, and LYDIA LUNCH/WEASEL WALTER

Dear all,

I’m booking some dates for: FELIX KUBIN, ARABROT, anbd LYDIA LUNCH/WEASEL WALTER

LYDIA LUNCH/WEASEL WALTER known as Horrible True Confessions (USA)

Availability: from 26th March backwards
Territory: Europe

FELIX KUBIN (Germany)

Availability: From June 2015 onwards
Territory: Belgium

ARABROT (Norway)

Availability: 28th March
Territory: Belgium

LYDIA LUNCH/WEASEL WALTER
Lydia Lunch is passionate, confrontational and bold. Whether attacking
the patriarchy and their pornographic war mongering, turning the sexual
into the political or whispering a love song to the broken hearted, her
fierce energy and rapid fire delivery lend testament to her warrior
nature.
She has released too many musical projects to tally, has been on tour
for decades, has published dozens of articles, half a dozen books and
simply refuses to just shut up. Brooklyn’s own Akashic Books have
published her recent anthology Will Work For Drugs, as well as her
outrageous memoir of sexual insanity Paradoxia, A Predator’s Diary,
which has been translated into seven languages. Ms. Lunch has
contributed to their just released The Heroin Chronicles edited by Jerry
Stahl.
In 2012 Rizzoli released her sassy, sexy cookbook The Need To Feed,
proving that even food in the right hands can be a dangerous thing.
Weasel Walter (first name, last name) is a Brooklyn, New York based
multi-instrumentalist, composer and improviser best known for leading
the seminal punk-jazz/no-wave/brutal-prog band The Flying Luttenbachers
between 1991 and 2007 on 16 full-length releases.
Seamlessly uniting the intensity and abstraction of improvised music
with the nihilist aesthetics of extreme rock forms, Walter is committed
to violent momentum, idiomatic unpredictability and rapid articulation.

FELIX KUBIN
Felix Kubin (born Felix Knoth, 1969 in Hamburg, West Germany) is an
electronic musician. He has been involved with music since he was 8
years old, when he studied piano, organ and glockenspiel. His youthful
experiments really took off in 1980 when he got a Korg MS-20
synthesizer. His early works have been released under the title The
Tetchy Teenage Tapes of Felix Kubin.[1] During this time he also played
in a punk band Die Egozentrischen 2. In 1987 Felix Kubin co-founded an
experimental noise group Klangkrieg with Tim Buhre. His first solo album
Filmmusik was released in 1998 by Gagarin Records,[2] Kubin’s own label
founded in the same year through which he has gone on to release a
series of albums including the critically acclaimed Matki Wandalki in
2004.

ARABROT
Since starting out in 2001, Årabrot’s main core has been Kjetil
Nernes (songwriter, guitar and vocals) and Vidar Evensen (drums and
visuals), and in recent years noise artist Stian Skagen (Electronics)
has been a regular on-and-off member of the band. They have also
collaborated with producers such as Billy Anderson [6] (Melvins
[7], Neurosis [8]), Emil Nikolaisen [9] (Serena-Maneesh [10],
Maribel) and Steve Albini [11](Nirvana [12], Big Black [13], High
on Fire [14]). The first three albums the were released on Norway Rat
Records [15] before they signed to their current home Fysisk Format
[16] with the I Rove [17] EP[2] [18]

I hope to hear from you as soon as possible.

All the best.

Alain

—
Some Noise
C/O Alain Bolle
PO BOX 43
1050 Brussels 5
Belgium
info@somenoise.be
https://debloque.wordpress.com